May 2, 2010
DevilDriver musikapedia free encyclopedia
DevilDriver has always been a band on a three-pronged mission: Work hard, rock harder, and kick as many asses as possible in the process.
Since first forming in 2003, the Santa Barbara metal quintet has stuck resolutely to this mission, even though it's often meant traveling a rougher, less glamorous road than most musicians would prefer to endure. Rather than cashing in on the popularity of his previous successes, frontman Dez Fafara insisted from the get-go that DevilDriver should not only forge their own unique sound, but should also start at the proverbial bottom of the bill and work their way up through endless touring, earning the music world's respect one fan at a time.
"I get that hard-working attitude from my father," says Dez. "I believe in gnawing at the bit, you know? It's taken its toll on us, sure - but hard work, road work and belief in ourselves is what we're based on."
Pray For Villains, DevilDriver's gut-punching new album, is clearly the culmination of that endless hard work and unconquerable self-belief. Having honed their powerful sound over the course of three previous albums - 2003's self-titled debut, 2005's The Fury of Our Maker's Hand and 2007's The Last Kind Words - and countless live dates (including their legendary Download appearance in 2007, where the band's ferocious performance triggered what many believe to be the largest circle pit in history), the band is now operating at a higher level than ever before.
"For us, it's been a constant growth, musically," Dez explains. "Not only in terms of finding out how to write together, but in figuring out what a good DevilDriver song is. Every single record has been a progression, and we approached everything the same way as we've always done, but it clicked really hard on this record. This is the defining sound of what we are, and where we're going to go in the future."
Produced by former Machine Head/Soulfly guitarist Logan Mader (who has previously manned the controls for the Cavalera Conspiracy, Divine Heresy and Five Finger Death Punch), Pray For Villains finds DevilDriver rocking as brutally as ever, with the rhythm section of drummer John Boecklin and bassist Jon Miller pummeling the listener into submission while the guitar tag-team of Jeff Kendrick and Mike Spreitzer lets fly with one nasty riff and incendiary solo after another, and Dez truly howls like a man possessed. The album is both more technical and more straightforward than anything DevilDriver has done in the past, but there's also an additional emphasis on groove, dynamics and song-craft.
"We decided not to go even more brutal, more heavy, more screamy, more fast than last time, because we've already proved we can do that," says Dez. "There's a lot more groove going on, a lot more dynamics. The guitar work is amazing -some of the solos absolutely blow me away - and the drumming is un-fucking-real. There's gonna be kids in their basements trying to learn this shit forever. Yet we also said, ‘Let's not only bring groove into this, but let's bring hooks, and let's write better songs.' We didn't dial it down at all, but we wanted to add some substance to it, as well."
Lyrically and thematically, the album's rampaging title track pretty much sums up where Dez is coming from on Pray For Villains. Inspired by his love of Western films, the song is about "how you put all your eggs in one basket, and you bet on the hero - but it's actually the bad-ass villain who comes in and saves the day," he explains. "I love Westerns, especially the ones with Clint Eastwood; I like the anti-heroes, rather than the John Wayne kind of guys. I was thinking that in those films, just like in real life, it usually takes a fucking bad-ass to come in and do the job - and that's usually not the guy in white with the shiny gun. A lot of these songs, including ‘Resurrection Blvd.,' ‘In The Cards' and ‘Forgiveness Is A Six-Gun,' are definitely influenced by that."
Themes of self-reliance, hard work and positive energy also run through tracks like "I See Belief," "Pure Sincerity" and "Back With A Vengeance," all of which reflect both the scars and the hard-won accomplishments of DevilDriver's first half-decade. "I'm not a nihilistic dude," Dez explains. "The line,‘I see belief when no one else does' - a lot of people are so negative about things, saying, ‘Oh, that will never work,' or 'We'll never get that tour,' or ‘We'll never get to that place' but I'm just not that guy. Call it stupidity or blind luck," he laughs, "but I've got a feel for what's going to happen with this band. I believe in the motivation and upward mobility of this band, as well as the movement and the bond that we're creating between our fans and us. I want to bring that positivity through the power of metal and say to people, ‘Hey, keep your head up/Get your head out of the sand'- take a breath of fresh air, try to be positive about life, and move through it with strength, power and belief in yourself."
Of "Pure Sincerity," Dez reveals, "That's for when people ask, ‘What's DevilDriver about?' Well, listen to ‘Pure Sincerity': ‘Give ‘em what they want/Give ‘em what they need/Pure Sincerity'. That's all it's ever been, from the time we started making music - giving them what we feel is our music, and not trying to follow any kind of trend."
"Back With a Vengeance" is a howl of triumph, a musical victory lap for a band that many critics discounted or disregarded, at least until DevilDriver's ever-increasing fanbase and reputation for consistently punishing live shows became simply too much to ignore. "That song's about looking yourself in the mirror and going, ‘Yep, that's right, we're kicking ass like I always knew we would be,'" Dez explains. "Don't ever count any motherfucker out in life. It may have taken a record or three to get it through everybody's heads, but now it's obvious. And on ‘Back With A Vengeance,' I'm actually giving myself a minute to step back and look at DevilDriver and go, ‘Holy shit, we all built this thing together - and it's a monstrous machine!'"
To no one's surprise, DevilDriver will be taking that monstrous machine on the road for the rest of 2009, and probably beyond. (The band's innate affinity for touring is reflected on the new tracks "I've Been Sober" and "Another Night In London.") "We need to travel," says Dez. "So we're booked through Christmas ‘09; we're going all over the world, and we're not coming home. Our schedule is so rigorous, it's unreal - sometimes even I don't know why I put myself through it - but I love the road. I love my family, but I can't sit home for more than two weeks," he laughs. "I think time for me at home is wasted right now. I'm still young enough to go out and do my thing."
"You have to love what you do," Dez concludes. "We love to play together as a band, we love to be onstage, and we love to deliver our music to people live. We've always said that's been part of the mission - and if you're gonna talk it, you've gotta walk it."
Cavalera Conspiracy musikapedia free encyclopedia
Cavalera Conspiracy
Cavalera Conspiracy has already released the debut album Inflikted, so go find it in stores (or order it now)! Recording took place this July 2007 at Undercity Studios in Los Angeles, California with Max Cavalera producing and Logan Mader (Dirty Icon Productions) co-producing and mixing. On Inflikted, Cavalera Conspiracy is Max Cavalera (Soulfly, ex-Sepultura) on guitars and vocals, Iggor Cavalera (Mixhell, ex-Sepultura) on drums and percussion, Marc Rizzo (Soulfly) on lead guitar and some backup vocals, and Joe Duplantier (Gojira)on bass, backup vocals, and some third guitar throughout the album. Rex Brown (Pantera, Down) makes a cameo on bass on "Ultra-Violent", Richie Cavalera (Incite) guests on vocals on "Black Ark", and Mixhell contributed music to "Hearts of Darkness" and "Must Kill", as well.
Album art was completed by Surface to Air of France with Iggor and Max Cavalera and Sandrine Pelletier.
The album consists of the following songs:
1. Inflikted (download)
2. Sanctuary (download)
3. Terrorize
4. Black Ark
5. Ultra-Violent
6. Hex
7. The Doom Of All Fires
8. Bloodbrawl
9. Nevertrust
10. Hearts Of Darkness
11. Must Kill
In addition to the main tracklist, a cover of Possessed's song "The Exorcist" and a b-side called "In Conspiracy" were recorded. The songs can be found on the limited edition release of the album, and at mp3 stores such as iTunes and Amazon.com.
"Sanctuary" was the lead single release from the album. In January, the band filmed a video for the song in Paris, France which was directed by Rozen and Schmeltz of Surface to Air. You can view the video now below. A digital single and mastertone of "Sanctuary" was released on March 3rd and is available for purchase now.
Cavalera Conspiracy has already released the debut album Inflikted, so go find it in stores (or order it now)! Recording took place this July 2007 at Undercity Studios in Los Angeles, California with Max Cavalera producing and Logan Mader (Dirty Icon Productions) co-producing and mixing. On Inflikted, Cavalera Conspiracy is Max Cavalera (Soulfly, ex-Sepultura) on guitars and vocals, Iggor Cavalera (Mixhell, ex-Sepultura) on drums and percussion, Marc Rizzo (Soulfly) on lead guitar and some backup vocals, and Joe Duplantier (Gojira)on bass, backup vocals, and some third guitar throughout the album. Rex Brown (Pantera, Down) makes a cameo on bass on "Ultra-Violent", Richie Cavalera (Incite) guests on vocals on "Black Ark", and Mixhell contributed music to "Hearts of Darkness" and "Must Kill", as well.
Album art was completed by Surface to Air of France with Iggor and Max Cavalera and Sandrine Pelletier.
The album consists of the following songs:
1. Inflikted (download)
2. Sanctuary (download)
3. Terrorize
4. Black Ark
5. Ultra-Violent
6. Hex
7. The Doom Of All Fires
8. Bloodbrawl
9. Nevertrust
10. Hearts Of Darkness
11. Must Kill
In addition to the main tracklist, a cover of Possessed's song "The Exorcist" and a b-side called "In Conspiracy" were recorded. The songs can be found on the limited edition release of the album, and at mp3 stores such as iTunes and Amazon.com.
"Sanctuary" was the lead single release from the album. In January, the band filmed a video for the song in Paris, France which was directed by Rozen and Schmeltz of Surface to Air. You can view the video now below. A digital single and mastertone of "Sanctuary" was released on March 3rd and is available for purchase now.
opet musikapedia free encyclopedia
Member Biographies
* Mikael Åkerfeldt, Vocals (1990-)
* Martin Mendez, Bass (1997-)
* Per Wiberg, (2005-)
* Martin Axenrot, (2006-)
* Fredrik Åkesson, (2007-)
Former band members
* Peter Lindgren-Guitars (1991-2007)
* Martin Lopez-Drums (1997-2006)
* Anders Nordin-Drums (1990-1997)
* Johan DeFarfalla-Bass (1991, 1994-1996)
* David Isberg-Vocals (1990-1992)
* Stefan Guteklint-Bass (1992-1993)
* Nick Döring-Bass (1990-1991)
* Andreas Dimeo-Guitars (1991)
* Mattias Ander-Bass (1992)
* Kim Pettersson-Guitars (1991)
* 4 members of the band later (un)known as Crowley (1990)
As you all know, it is sometimes very hard to put your finger on what makes a band original and unique. I am not trying to boast here, but in my point of view there is no other band just like Opeth. Personally I appreciate when bands shock you, when they take unexpected turns in their music that you couldn't see coming. That is somewhat the essence of Opeth, and I think it is something that is present on all our albums. See, when we started up as Eruption we were more or less a ordinary (pretty bad) death metal band, but somewhere along the road we found something that made Opeth what Opeth is today. It might be our interest in symphonic and progressive music which to me is the ultimate form of music. We have come to the point where we don't care at all what kind of music we are playing, there are no boundaries at all!
The strange thing is that it's not intentional. I don't doubt one second that we'd be a bigger band if we did what was good for Opeth..but we just don't! The day we would limit ourselves or adapt to the music scene, would be the day Opeth dies.
Certainly, there are some parts on our albums that was kind of daring. With "Morningrise" we incuded a balladlike track in "To bid you farewell" right in the midst of the rising Black metal trend.
Don't you think we'd be better off if we had blastbeats and satanic lyrics instead? Now, afterwards, "To bid you farewell" has done many good things for us, as we have now been accepted to be a bit odd. That's just the way we like it!
Opeth started up in 1990 I wrote all the material myself with suggestions from the former vocalist, David. When Peter joined in late 1991 I found someone that I could write together with. I had written a track called "Poise into Celeano" and it turned out way different from the things we had done before, and when Peter came in the picture, me and him started to re-arrange all the stuff we had. It was our most creative period, and we rehearsed 6 days a week at times. Eventually we had achieved a sound of our own. Twin guitar harmonies, loads of acoustic parts, no blastbeats, long, long tracks, even some normal singing. Eventually Candlelight wanted to do an album with us. That was "Orchid".
links :http://www.opeth.com/
http://www.myspace.com/opeth
ALETHEIAN MUSIKAPEDIA
ALETHEIAN
Blending the intensity of modern brutality with the innovation and experimentation of the pioneering extreme metal bands, ALETHEIAN gracefully combines elements of technical, progressive, European, and melodic metal into a unique brand of American death metal. ALETHEIAN was originally formed in central Pennsylvania in 1997 under the name CRUTCH, founded on the goal to bring a fresh sound and a positive message to a dark, dry scene. CRUTCH released a few independent albums and built a loyal following before changing the name in 2003 and maturing into a legitimate contender in the progressive/melodic death metal scene. In 2005, ALETHEIAN recorded the self-produced Dying Vine album and has subsequently toured around the country promoting the independent release. Catching the attention of Ironclad Recordings, Dying Vine proves to be the elite caliber of album worth re-releasing for national distribution. Re-mixed and re-mastered by Alan Douches at West WestSide Music in 2008, ALETHEIAN's Ironclad debut Dying Vine also features a blistering rendition of the classic CYNIC track "How Could I".
Believer
Believer
Believer was formed in early 1986 by guitarist/vocalist, kurt bachman and friend and drummer Joey daub. Originally starting out, they played a more melodic metal style and quickly released a demo cassette called "The Return". It wasn't long before they found their calling as a thrash/metal band and began to write material that would soon take the world by surprise.
In 1989 "Extraction from Mortality" was released upon the unsuspecting Christian market through REX music, a then popular Christian label. It didn't take long for the technical thrash metal style to catch on and Believer had sunk its teeth deep into the industry and set a standard far above the rest. They began touring, both with Christian and secular (non-Christian) bands and gaining fans around the world. The receptive response of their innovative style spilled over into the mainstream market and stirred interest in Road Runner Records, which quickly led to their signing.
In 1990 "Sanity Obscure", Believers second full length CD was released on both REX Music and Road Runner Records. With its anti-drug themed song "Stop the madness" (later released as a single) and anti-pollution song "Non-point" Believer fans were not disappointed by the evolving emotional music that it produced. Adding the symphony/orchestra master piece "Dies Irae", they fused thrash, violins and opera all conglomerated into an artful construction of originality. Believer toured the United States and Europe in support of this record gaining even more popularity and recognition.
After 3 years and a partial line up change Believer released their long awaited third album. In 1993 "Dimensions" was released on both REX Music and Road Runner Records. This would be the bands final album and they received a Dove nomination in the, best metal album of the year, category. Wyatt Robertson and Dave Baddorf were replaced with new bassist Jim Winters and Scott Laird (who was involved with all the Believer albums and a long time friend of Kurt Bachman) picked up the violin. With "Dimensions", Believer showed they once again had evolved and as opposed to the emotional onslaught found on "Sanity Obscure" they created a very thought provoking and intellectual album. With lyrics that ponder the philosophies of Freud, Altizer, and Sarte on the existence of God to lyrics that proclaims that Possibility cannot account for actuality and that whatever happens is caused in order to be, one can not mistake Believers uncanny ability to write progressive music. They successfully combine thrash and speed, with thoughtful and intelligent lyrics. Perhaps the highlight of the Dimensions album would be the Trilogy of Knowledge, which contains four songs covering the fall of man and the life of Christ. This use of orchestration and operatic vocals once again adds many dimensions to the world of Believer, writing them down in history as one of the greatest bands in the progressive thrash metal genre.
Although there was never an official break up, in the mid 90's Believer fell off the radar and left behind a unparalleled legacy that will never be forgotten. According to Joey Daub's website, the members agreed to mutually disband.
Following the disbandment; Bachman and Daub did production work out of their Trauma Studios in Pennsylvania for such artists as Turmoil and Living Sacrifice. Eventually, Kurt Bachman went on to pursue a career, while Joey Daub continued on with his music career.
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